No doubt my favorite living contemporary painter is Alyce Frank. She lives near Taos NM in a small town with her husband and produces paintings that reach out and touch me ever so deeply. I believe one of her favorite painters and source of inspiration is Vincent van Gogh. Alyce is represented in several galleries. I had read a little about her but had never met her, seen her, nor seen a photo of her, nor had I actually seen one of her paintings *in person*--I had viewed them first on postcards I found in Abiquiu NM near to where I lived for nearly a year a few miles beyond the village of Canones, then in books and online. I knew she loved to paint plein air especially in NM. A couple of years ago my partner and I took a driving trip out West, heading for California. One day while touring Yosemite Park in one of those large tour buses we made yet another stop to take in the breath taking scenery. I noticed a couple of painters parked in an old station wagon with large easels set up by the side of the road. Something stirred in me and told me that I just HAD to go over and say hello and introduce myself. I walked away from the group and headed over to the painters some little distance away. I walked right up to them and introduced myself and then blurted out "Are you by any chance Alyce Frank?" To which she replied, yes, I am, and this is my painting partner Barbara Zaring. I was both in awe and shock at this so called *coincidence*, and it turns out Ms. Frank also got quite a little thrill from the whole event. She was the artist in residence at Yosemite and I had no idea of any of this. Wow, what magical things can happen, especially when we take that risk and move right through our nervousness and doubts and fears and follow those inner urgings. A few weeks later I received a call from the owner of the Fenix Gallery in Taos who informed me that Alyce Frank was so impressed by the encounter that she wanted me to have one of her paintings!!! I simply couldn't believe it--her paintings typically sell anywhere from $4000 to $10,000 and more. Well that part proved to be just a bit too good to be true as I learned that what was meant was that Ms. Frank was offering me a painting for less than half price, plus shipping and handling. In that case I kindly asked if I could chose a different painting than the one she had set aside for me and she indeed approved my request. Now I have an original Alyce Frank oil painting hanging in my living room titled El Salto. I love it, and I love how I came to be the owner of such a beautiful piece of art by my most revered contemporary painter in the whole world!!
Another fortuitous encounter happened one day at a support group meeting I was attending weekly at the Austin Men's Center (Co-dependence anonymous). What a great group of guys! We came together weekly and shared our stories without judgment, offering one another support, care, and love, and many of us coming to the knowledge that we are not alone in this world with our problems , issues, and suffering. It was my plan to make a trip to the bank and retrieve some documents from the safety deposit box after the meeting. I had placed the safety deposit key in my bag. The key itself is tucked away bright red little envelope. It was cold outside and so before getting in my car I decided to get the key out of my bag and put it in my pocket so it would be readily available when I got to the bank. I searched and searched in my bag and could not find it. Eventually I removed every single item from my bag, sorted through everything, placing everything on the floor, then carefully sorting through everything again and slowly putting everything back into my bag (a small backpack) but the key was NOWHERE to be found. Suddenly I heard someone in the adjacent room crying and I went to see what was going on. One guy, who was needing to leave to get to work was listening to another guy who appeared to be in deep pain about something, and his sobbing was intense. I went into the room and sat down and held him while he cried, and cried, and cried, then told me his problem. Later, when he had recovered his composure for the time being we exchanged names and phone numbers and he became one of my best friends in my life. He taught me to paint, something that I had never done before. I had a deeply ingrained belief that I had absolutely no artistic ability whatsoever and therefore had never taken an art course, not even an art history course. My first piece of art that I brought home from first grade and proudly showed to my mother turned out to be the object of unintentional, but very hurtful ridicule. My mother told me and everyone else who came to the house that I had brought home the ugliest piece of art she had ever seen in her life. She repeatedly displayed this artwork of mine and had many laughs at it's ugliness. She told me I had no talent whatsoever. Hence, I had avoided the visual arts my entire life up until I was 39 years old. But that was soon to change. This beautiful man I met that day was a gifted artist and he taught me to paint. He encouraged me, he praised me, he inspired me.
After our meeting that day I got into my car to head for the bank, realizing that I had been unable to find the safety deposit key, something that had kept me there at the center longer than was normal as I had searched my backpack extensively, which had allowed me to meet my new friend. I just KNEW I had put that key in my bag before leaving home so sitting there in my car, I opened my bag to again begin yet another search for the elusive key and there it was, sitting right on top of the contents of my bag, in plain view.
I have learned the hard way (naturally) to look at such mysterious events with complete openness and try not figure out the meaning. Conjecture, theories, interpretations that may lead to certain actions on my part have proven to be not the best course of action, not the best way to understand these things. Rather I've learned, and still learn, to be still and watch and go slowly and be introspective but without coming to all sorts of self misguided conclusions, because when one does that, it removes the mystery, it removes the element of the mystical, it seeks to concretize that which may very well need to remain ethereal.
Note: the first painting above is El Salto by Alyce Frank as are the next two; the fourth painting was done by me.
